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Hitler's Vienna: A Portrait of the Tyrant as a Young Man (Tauris Parke Paperbacks)By Brigitte Hamann
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What turned Adolf Hitler, a relatively normal and apparently unexceptional young man, into the very personification of evil? To answer this question, acclaimed historian Brigitte Hamann has turned to the critical, formative, years that the young Hitler spent in Vienna. As a failing, bitter, and desperately poor artist, Hitler experienced only the dark underbelly of Vienna, which was seething with fear, racial prejudice, anti-Semitism and conservatism. Drawing on previously untapped sources—from personal reminiscences to the records of shelters where Hitler slept—Hamann vividly recreates the dark side of fin de siècle Vienna and paints the fullest and most disturbing portrait of the young Hitler to date.
- Sales Rank: #390668 in Books
- Published on: 2010-08-03
- Original language: English
- Number of items: 1
- Dimensions: 7.85" h x 1.44" w x 5.07" l, 1.00 pounds
- Binding: Paperback
- 496 pages
From Publishers Weekly
Usually, accounts of Hitler start with WWI and his subsequent rise to power in Munich. And usually, histories of Vienna in the early part of this century focus on the Secession, on Freud, on Viktor Adler. But in her carefully argued and smartly written book, Hamann (The Reluctant Empress) creates a portrait that shows the evolution of a far different city, one that for five years, between 1908 and 1913, shaped one young provincial. This is a Vienna of poor laborers who live in men's hostels and are the willing fodder of Social Democrats and Pan-Germans alike. Waves of immigrants (among them Jews fleeing Russian pogroms) and the introduction of equal suffrage in 1906 gave rise to a virulent crop of chauvinistic German politicians and theoreticians who shaped Hitler's worldview, from his racism to his use of "Fuhrer" and "Heil," both adopted from Pan-German activist Georg Schonerer. Unlike many biographers, Hamann finds the roots of Hitler's anti-Semitism here, rather than in run-ins with Jewish professors at the Academy of Visual Arts (there were none), a Jewish grandfather (the evidence, she convincingly argues, is lacking) or a syphilitic Jewish prostitute (Hitler was inordinately afraid of both infection and women). Hamann also traces other crucial aspects of Hitler's development to his time in Vienna: his fascination with the mechanics of theater and the political symbolism of architecture, and his hatred of parliamentarianism. Hamann's deep knowledge of Vienna and her skeptical approach to previous sources results in a double-sided portrait that will help readers understand both the Dual Monarchy and WWI and the Third Reich and WWII. Photos.
Copyright 1998 Reed Business Information, Inc.
Review
*A fascinating and impressive book... Hitler's Vienna serves as a prologue to the inhuman.* -- George Steiner, Times Literary Supplement
*A virtuoso piece both of research and exposition...Brigitte Hamann is an author of great flair, as well as being thorough, scholarly, and thoughtful.* -- Robert Evans, Oxford University
*Carefully argued and smartly written… Hamann's deep knowledge of Vienna and her skeptical approach to previous sources results in a double-sided portrait that will help readers to understand both the dual monarchy and WWI and the Third Reich and WWII.* -- Publishers Weekly
*The world needs another Hitler biography like it needs another squirrel, but his one is different and worth the effort.... Hamann paints a fascinating picture of the events and readings that shaped the young Hitler. Highly recommended.* -- Library Journal
*A valuable social history of Vienna's netherworld and an attempt at explaining Hitler's anti-Semitism. We get a meticulous portrait of everyday life in the artistically and philosophically modernist metropolis. Hamann concludes that Vienna's fin-de-siecle malaise was a critical ingredient in the madness that became Nazi Germany.* -- Kirkus Reviews
“Brigitte Hamann went to great lengths to study [Hitler's] life... She used an incredible amount of legwork to separate the reality from the mythology.” -- Michael Burleigh, British Film Institute award-winning Historian and Fellow of the Royal Historical Society About the Author
Brigitte Hamann is an award-winning German historian based in Vienna. She is the author of numerous critically-acclaimed biographies, as well as a recipient of the Concordia Preis in recognition of her work.
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