Ebook Focus on Earth Science California Edition (California Science Explorer)

Ebook Focus on Earth Science California Edition (California Science Explorer)

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Focus on Earth Science California Edition (California Science Explorer)

Ebook Focus on Earth Science California Edition (California Science Explorer)

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Product details

Series: California Science Explorer

Hardcover: 565 pages

Publisher: Pearson Prentice Hall (March 30, 2007)

Language: English

ISBN-10: 9780132012744

ISBN-13: 978-0132012744

ASIN: 013201274X

Product Dimensions:

8.7 x 1 x 10.9 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#330,906 in Books (See Top 100 in Books)

so my son takes a popcicle to school in his backpack and is surprised when it explodes all over his books. I got a call from the librarian telling me I need to replace two of his books. sticker price was like $400. thank you amazon! although my son will be paying his allowance back for the better part of the near future, at least we got a great deal on his replacement books.

This is a good 6th grade book. Make sure you order the student workbook to go with it. My only complaint is the layout is a bit confusing for some students (the book, not the workbook. The workbook is great).

Good

What can I say, it is a textbook.

good and informative book. the book was in good condition and delivered on time.

As described.....I purchased this book for my 6th grader so he would not need to drag his school copy back and forth everyday to do homework.

Came in great condition and in a timely manner. I usually buy a second text book for home so there is a book at school and home to use.

this is a subject book for my 6th grader. I recommend this book to keep at home and prepare everyday.

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Ebook Free Breathing Room: PoemsBy Peter Davison

Ebook Free Breathing Room: PoemsBy Peter Davison

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Breathing Room: PoemsBy Peter Davison

Ebook Free Breathing Room: PoemsBy Peter Davison

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"Peter Davison, for years, has pondered with clear insight the perspectives of affection, attachment, loss, and memory, his language spare and his tone classical and deceptively quiet. The poems of this new collection look at the same world with surprise and speak of it with a startled and startling freedom, feeling 'entitled to / the liberty of breathing easy'--a freedom that brings with it the old clarity and eloquence."
--W. S. Merwin

The poems in Peter Davison's exuberant new collection contemplate the paradox of growing old--of having a mind still "a juicy swamp of invention" in a body beginning to falter.

Both intimate and generous, these poems celebrate the cycle of the seasons, of death and rebirth: snapping turtles lay their eggs and new ones hatch;  a ruffed grouse drums his spring mating dance. Memory is central: a mother's lost face; a father's voice that "plumbed the marrow of poetry as tenderly / as if a darling had crept into his arms"; a wife's "rueful eyes, cornflower blue." And the poet pays tribute to the literary life--to reading, to the precise moment a word rises to consciousness, to getting over Robert Frost, to the mind of Sylvia Plath.  

These are poems that expand time for us and deepen place, whether Davison is taking us on a path along a limestone cliff under canopies of holly and ivy, or is revisiting the instant while recovering from surgery when it becomes clear he is going to heal.  "To learn poetry," Davison writes in his foreword, "we need to take poems into our breath and blood, and that requires us to hear them as we read them, to learn to read with all the senses, especially with the ear." Breathing Room gives us a splendid array of poems that we want to read with all our senses.

• Sales Rank: #3147810 in eBooks
• Published on: 2012-07-11
• Released on: 2012-07-11
• Format: Kindle eBook

From Publishers Weekly
After more than 35 years of poetry collections, memoirs, criticism and editorial work, Davison announces that the poems of his 11th collection "mostly assume a single poetic form," one he borrows from the late work of a greater ombudsman, William Carlos Williams. But where Williams's achieves an intuitive elegance through triadic-footed tercets that matched the breath, Davison's free verse tends to go slack along with the material it carries, like the old pal the speaker catches "calculating/ whether life with her might not be/ very convenient, considering her parent's/ money." More at home as a naturalist than a nostalgic storyteller, Davison strikes a keener music when strolling through a "Seaside Summer Quarry" ("Sentried by sabers of iris,/ bared granite rocks/ jut up// from the soft starry beds of/ emerald moss") or observing how "Falling Water" will join "its first// brook and amble off into the yielding/ soft-shouldered marsh past fat roots of/ lilies to linger among the slick fronds// of algae paddled by ducks." Davison, however, is more prosaic when taking on the relationship of Ted Hughes and Sylvia Plath, whether problematically adopting Plath herself as the speaker in "Sorry" ("When I woke up my cheek was full of maggots./ In the hospital they broke my head/ with lightning bolts. Everyone was so kind.") or, even more presumptuously, collaging snippets from some of the couple's more famous poems (Hughes's "Lovesong" and Plath's "Daddy" and "Edge") in a "Ballad" commemorating their "immortal mismarriage,/ their language// splintered and splayed/ in the throes/ of brutality." The effect is not cathartic, transgressive or celebratory in any sense. Davison opens his book with "No Escape" and closes it with the very same poem (only in italics), but readers may have already gone out the back by then. (Sept.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
"Poetry composes, not as modern Western music often does but for the human breath," says Davison, an award-winning poet and editor of the Atlantic Monthly. Nothing revelatory here: Charles Olson put forth a nearly identical thesis in 1950. The poems feel equally staid: Davison's memories of childhood, family, and lost loves are of passing interest, and the moment he veers from specific events, the poems deteriorate into trite generalizations, as when they're addressed to a distant "you." Other pieces pontificate, while still others, such as "Prayer to the Verb," are too whimsical to be considered serious. Forays into nature are ambitious (as in two poems adopting the snapping turtle's voice) but once again uninsightful and disappointing. Despite ten previous books of poetry, Davison has had more influence as an editor than a poet. Recommended for comprehensive collections only.DRochelle Ratner, formerly with "Soho Weekly News," New York
Copyright 2000 Reed Business Information, Inc.

From Booklist
The son of a poet close to such luminaries as Sylvia Plath, Anne Sexton, Richard Wilber, W. S. Merwin, and Adrienne Rich, Davison has inhaled and exhaled poetry all his life. Now he introduces his zesty new collection with the hope that he's written well enough to seduce readers into learning his poems by heart, and, indeed, his warm and vigorous poems are organic in their flow and graspable in their clarity and compelling rhythm. Davison gazes into the fountain of memory and conjures up the aromas of his childhood home, a 1930s cross-country drive in the grit of a dust storm, and failed loves. He studies the world around him and pays tribute to horses and snapping turtles, ponders our making of a "tame planet," re-creates nightmares, and celebrates the way breath weaves us into the warp of life. --Donna Seaman Donna Seaman
Copyright © American Library Association. All rights reserved

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Download The Gladiator: The Secret History of Rome's Warrior SlavesBy Alan Baker

Download The Gladiator: The Secret History of Rome's Warrior SlavesBy Alan Baker

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The Gladiator: The Secret History of Rome's Warrior SlavesBy Alan Baker

Download The Gladiator: The Secret History of Rome's Warrior SlavesBy Alan Baker

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Alan Baker weaves an extraordinary, vivid picture of Roman life as his compelling and evocative history tells the story of Rome's most notable gladiators. They were condemned and feared by emperors, slaughtered and adored by the masses and worshipped by their female fans, yet their lives were invariably violently short.

Whether their enemy was a starved tiger or a battle-hardened criminal, their numbered days were dark and bloody. Yet men gave up their wealth and freedom to become gladiators and noble-women gave up their positions to be with them. The Gladiator illuminates the extraordinary lives of Spartacus, Commodus, Eppia and others - bringing the same energy and passion to the page that Ridley Scott's cinematic triumph bough to the screen.

• Sales Rank: #420773 in eBooks
• Published on: 2010-12-23
• Released on: 2010-12-23
• Format: Kindle eBook

From Publishers Weekly
In a lurid, sometimes sensational, tabloid-like account of Roman gladiatorial life, British author Baker (Invisible Eagle: The History of Nazi Occultism) offers an encyclopedic examination. While there were a few famous gladiators, such as Spartacus, the majority of these warriors were unnamed slaves, criminals or prisoners of war whose lives were nasty, brutish and short. Baker points out that there were different groups of gladiators, each with its own style of fighting. The Thracians, for example, used a round shield and sword, while the retiarii (net-men) used a net and trident spear. The games themselves were sponsored by the emperor, whose popularity was often secured by the magnitude of the contests he hosted. Using historical accounts of various games, Baker imaginatively re-creates a day at the Coliseum in Rome, which included a series of fights between criminals one armed, the other defenseless staged in a round robin manner until only one criminal was left standing; the victor was then killed unceremoniously by a Roman guard. The afternoon brought on the great battles between the "trained" gladiators, like the Thracians and the retiarii. The blood and dust from one combat had barely cleared before another began. Although they reflected the virtue of killing and facing death with the courage and dignity that dominated the Roman Empire, gladiatorial contests came to an end in the fifth century, when Christianity became the official state religion and when the empire itself was weakening. Baker builds upon an already established wealth of scholarship e.g., Michael Grant's Gladiators (2000) as he offers a lively, voyeuristic glimpse into the ancient world. Fans of the Ridley Scott movie won't be disappointed.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Adult/High School-Baker states at the very beginning that this book is not intended to be a scholarly study, but rather a history for the layperson. He lives up to this disclaimer. The book begins with a look at the origins of the gladiator games (circa 400 B.C.E.) and ends with why they were abolished 800 years later. In the 150 pages in between, the author covers all aspects of the games: training, equipment, styles of fighting, and types of combat (man versus man, man versus beast, and the grand spectacle of the naval battles). There are chapters on why men became gladiators (some were slaves, others prisoners of wars or common criminals, while others voluntarily participated), the development of the arenas, and even a chapter on the emperors who fought. A culminating chapter called "A Day at the Games" provides readers with a vivid blow-by-blow description-what it was like in the expensive and cheap seats, the opening ceremonies, the scheduling of the events, their staging, and the reactions of the crowds. Baker goes into great detail and the book may not appeal to squeamish readers. It is, however, very well written and the information is thorough enough for student research.
Robert Burnham, R. E. Lee High School, Springfield, VA
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Baker (Invisible Eagle: The History of Nazi Occultism) apparently hopes to benefit from the success of Hollywood's blockbuster movie Gladiator with this popular account of Rome's gladiator tradition. His claim that this book is "an attempt to chart the history of the Roman games without succumbing to the anachronism of imposing our own early 21st Century moral attitudes upon them" is, of course, hyperbole, for classical historians are rarely guilty of this historiographical failing. Baker often tells unsubstantiated and irrelevant stories about various emperors in an effort to stimulate the reader. In the chapter titled, "Curio's Swiveling Amphitheater," his muddled theory about the model for the games' venue rests upon a tale of Pliny the Elder that distinguished historian Michael Grant has called spurious. This is a terribly unfocused work, especially the chapter titled "A Day at the Games," which is supposed to give readers an idea of the bloody spectacles by presenting the events in a novelistic manner. Readers who are actually curious about the roots of the games will be far better served by Alison Futrell's Blood in the Arena: The Spectacle of Roman Power (Univ. of Texas, 2001). Not recommended. Clay Williams, Hunter Coll., New York
Copyright 2001 Reed Business Information, Inc.

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